We weren't lucky with the first train ,,,,, some OLD silver tin can ,,,,, But we got a good rehearsal with my little Leica on video mode ,,, Jen went looking for a new angle through the windows of the train ,,,, missing her only chance to escape ,,,, She came out before the doors closed ,,, he he
The next one was a Tangara ,,,,,newer but Still not what we wanted ,,, another wait ,,, and rethink ,,, now we wouldnt be doing an extra set up that requiring a super fast interior set up of the action through the train window ,,,, It would then take us with it ,,,, This was sort of a relief ,,, Taking a train ride down the track and back before we could go home to sleep ,,,
But we were able to do several takes of the scene by framing the train area out ,,,,,,, And then we waited for OUR LAST TRAIN of the SHOOT .
But when the LAST train of the Shoot arrived ,,,,,, It was exactly what we wanted ,,,, a shinny new Millenium .
I was sitting on an applebox hand holding at ground level ,,,,,, The Train stopped in a great position ,,,, John & Kelly were spot on with the preformance
Nice these new trains ,,, i would like to shoot something in and on them one day ,,, It would be easy with this Alexa
It was over ,,,,,,, We really had a GREAT time ,,, full of energy and what was a strange sort of fun The Camera and the People had not faltered ,,,,,,,, 11'20" of screen time ,,, mostly dialogue ,,, shot over 2 nights with only about a total of 11 hours of sound shootable time ...... That pretty fast ,,,
It had just occured to me that hardly anybody on the crew had actually worked together before ,,,,,,,,, If only you could have a wrap beer at 6 am ,,,,,,, THANK YOU LINES MEN , THANK YOU BALL BOYS
Jennifer was very happy with the whole shoot and particularly with her actors Kelly and John ,,,